With options ranging from comfort food and traditional staples to unexpected combinations coupled with the freshness of local ingredients, your taste buds are sure to be quite pleased.
If you haven’t been here lately, you’ll want to experience the eclectic, collegiate spirit of Iowa City and the University of Iowa combined with the shopping and recreational attractions there is adventure around every corner.
Shopping in Iowa City’s curious communities includes options from local sellers as well as large retailers. Find the perfect gift for someone special or a unique piece for your collection!
Iowa City and its curious communities are full of events year-round. You’ll find events ranging from author readings and workshops to musical performances and athletic competitions.
Iowa City/Coralville Area Convention & Visitors Bureau
900 1st Ave. Hayden Fry Way Coralville, IA 52241
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Co-Presented by Witching Hour and Feed Me Weird Things: FE(a)ST
—–Ticketing—–
$37.50 – General Admission
$32 – General Admission (Members)*
$20 – General Admission (Student w/ ID)
—–On-Sale Schedule—–
Members Pre-Sale*: Thursday, 6/2 @ 10:00 AM – 10:00 PM CT
Public On-Sale: Friday, 6/3 @ 10:00 AM CT
*Get access to advance ticketing and membership discounts by becoming a member of the Englert. Learn more at englert.org/friends.
—–Biography—–
Godspeed You! Black Emperor released a string of albums from 1997-2002 widely recognized as redefining what protest music can be, where longform instrumental chamber rock compositions of immense feeling and power serve as soundtracks to late capitalist alienation and resistance. The band’s first four releases—especially F#A#∞ (1997) and Lift Your Skinny Fists Like Antennas To Heaven (2000)—are variously regarded as classics of the era and genre. Godspeed’s legendary live performances, featuring multiple 16mm projectors beaming a collage of overlapping analog film loops and reels—along with the distinctive iconography, imagery and tactility of the band’s album artwork and physical LP packages— further defines the sui generis aesthetic substance, ethos and mythos of this group. GY!BE has issued two official band photos in its 25-year existence (the second, left, a 2010 recreation of the first from 1997) and has done a half-dozen collectively-answered written interviews over that same span. The band has never had a website or social media accounts. It has never made a video. Few rock bands in our 21st century have been as steadfast in trying to let the work speak for itself and maintaining simple rules about minimising participation in cultures of personality, exposure, access, commodification or co-optation.
Following a seven-year hiatus that began in 2003, Godspeed returned to the stage in December 2010 (curating the UK festival All Tomorrow’s Parties) and the band’s post-reunion period has now lasted over a decade, marked by hundreds of sold-out live shows and three additional albums, all of which have been met with high acclaim.
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